As a painter of the human figure, my interest in and feeling of connection with trees arises in part from their anthropomorphic and emotive qualities. I enjoy the correlation between their sinuous, jointed limbs and human anatomy; movement and feeling is often suggested in their static forms. The physical presence of great ancient trees can be quite overwhelming.  For me they are powerful protagonists of the human condition.
The medium of drawing is my preference, for its speed and immediacy, it allows me to respond very directly to the subject. Most of the work is made on site using a variety of drawing materials, predominantly charcoal and ink. Annabel Cullen
Awards/Prizes
2014Â Â Â Â Â Â Â Â Â Â Â Â Â Â Lynn Painter-Stainers Prize, runner-up
1990Â Â Â Â Â Â Â Â Â Â Â Â Â BP Portrait Award, First Prize
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Public Collections
National Portrait Gallery, London
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2017- present     Member of The Arborealists
2007- present    Tutor, Putney School of Art; Visiting tutor, The Art Academy
1980-83Â Â Â Â Â Â Â Â Â Â Â Â Â Royal College of Art, MA in Painting
1974-8Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Camberwell School of Art & Crafts, BA in Fine ArtÂ